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Archive for June, 2009

And the winner is…

In Life, Win, Writing on June 23, 2009 at 10:19 AM

I put this up late yesterday as a comment but then it seemed to vanish into nowhere. Thanks for both public and anon entries to the “what is Romantic” tiebreaker. Good answers all round (this includes the one that came anon). I like the way Mr Taradash brings Mills & Boone into this. Reading his and Ossian’s definitions, it does stretch the brain a little to figure out how we get from the Romantics to Chick Lit. But I think the phrase “limp-wristed heroism of the Celtic twilight ” swings it, really. So the winner is….    Ossian.

Well done Ossian, will be in touch to schedule delivery of your copy of Punk Fiction.

How long is a short story?

In Short stories, Teaching, Writing on June 19, 2009 at 2:11 PM

Someone asked my advice about this the other day — which prompted this post. It is a question many people ask themselves when they write their first story. But “How long is a short story?” is not always a helpful question, as short stories don’t have to be a set length. “How long do I think this particular story needs to be?” might be a better place to start.

There are norms, however. In the UK, most published short stories are upwards of 2,000 words, and rarely more than 5000 words. Chekhov is often referred to as a master of the short story, but his stories can seem surprisingly unbrief to a modern reader, clocking in at often upwards of 10,000 words a tale. A random example, ‘On the Road’ (1886), is nearly 7000 words long and opens with a 500-word description of the setting and main characters.

Since Chekhov’s day (most of his stories were first published between 1883 and 1903), story lengths have shrunk dramatically, perhaps to fit shorter attention spans, and perhaps also to fit newly available means of delivery – including screen, phone, blog etc. Readers have also have become more sophisticated “users” of narrative, capable of speedily picking up subtle narrative clues.

Hanif Kureishi’s story ‘Weddings and Beheadings’, controversial runner-up in the National Short Story prize a few years back, weighed in at just 1007 words. And going shorter still, the hundred-word story has been popular among science fiction writers since the 1980s. It is sometimes referred to as a drabble — no, not after Margaret Drabble, but after a usage coined in Monty Python’s 1971 Big Red Book.

There are a number of online outlets for very short fiction, referred to in order of decreasing size as flash fiction (approx. 1000 words or less), micro-fiction or one-page stories (usually 250 words or less) or nano-fiction (how short can you go?). Ernest Hemingway is among the writers who have played with the six-word story, with the following: “For Sale: baby shoes. Never worn.”

Other six-word miniature stories include William Gibson’s, first published in Wired online: “Bush told the truth. Hell froze. And AL Kennedy’s, (from the Guardian): “He didn’t. She did. Big mistake.”

Such admirable brevity is not always a plus in the marketplace. Stories published in print magazines in the UK will rarely fall below 800 words (or exceed 3000).

An answer as imprecise as “probably between 800 and 3000 words” may not be what you’re looking for, but for writers working in the UK it is a quite a useful answer. If targeting a particular publication their own guidelines (typically listed under ‘Submissions’ where the publication is a website) will narrow this down.

Win a copy of Punk Fiction

In Life, Punk Fiction, Short stories, Win, Writing on June 16, 2009 at 10:57 AM

Punk Fiction

Tie-breaker Q: Who were the Romantics and what defined them? NB this is a no-google question, please just answer Rorschasch style with the first thing that comes into your head, sending your answer as a comment. The winner will be contacted by email and the book sent to them by post. Deadline to enter: 21 June 2009

Punk Fiction reviewed in The Guardian: “You leave its pages realising that being a punk really just means being young, high on the fumes of freedom and puffing your lungs up big enough to breathe life into the world.”

Question about a writers ‘movement’

In Life, Writing, lit crit, websites on June 15, 2009 at 11:23 PM

Does anyone reading this know who the Romantics were? Or why they were called that?

This is WITHOUT Google, without any other online search or phone-a-friend, just what you KNOW. I am just as interested in wild guesses as I am in the truth. Who you think they are? Or might be? If you cannot hazard names, hazard a century or a theory about how best to describe them. Imagine there is a huge prize to motivate you (there isn’t).

Actually there could be a prize, will have a rummage and make an offer tomorrow…Answers in a comment box please. Anonymity guaranteed if wished – just say Not for publication in your comment. Ta very muchly…

I’m reading tonight

In Punk Fiction, Short stories, Writing on June 15, 2009 at 12:55 PM

at the Pulp Net Short Story Cafe (which is at Costa Lower Regent Street, London and runs from 7pm to 8.15ish approx).  Nicholas Hogg and I will read from Punk Fiction, Lynsey Rose and Bilal Ghafoor from WWWTJBTE. A chance to have a look at both books, maybe buy a copy if you like what you see.

Poetry just got interesting

In Life, Writing on June 13, 2009 at 2:52 PM

Looks like new poet laureate Carol Ann Duffy is not the type to go gentle into that good night. Her first move in the job as state poet has been to bite the hand that feeds — unlike the guy in the job before her (what was his name again?) whose poetry was so spectacularly inoffensive that no one remembers much about it, or him. With ‘Politics’,  Duffy shows she has her finger on the pulse and is not afraid to say her bit. She has also donated the stipend for the job to a Poetry Society prize fund. Just as well, perhaps — whoever pays it out might have tried to claw it back.

What we were thinking just before the end

In Freelance, Short stories, Travel, Writing on June 2, 2009 at 11:18 AM

WWWTJBTE

Just launched: What we were thinking just before the end. The end of what exactly is not clear, but all the same something about this book of writing by London based writers seems in tune with the times. My piece in the anthology, ‘The Bells at Christchurch’, is set in my all-time favourite (surviving) Dublin pub, O’Neills. Incidentally, I do hope the end of O’Neills is not nigh… it has stood on Suffolk Street for 300 years – roll on the next 300.